5 Blues Guitar Licks Every Player Should Know 🔥 (Blues guitar lesson with tabs)

August 04, 20263 min read


Whether you want to play like B.B. King, Stevie Ray Vaughan, or Eric Clapton, mastering a library of foundational blues guitar licks is the fastest way to build confidence in your soloing.

In this blues guitar lead lesson, we break down 5 essential blues licks in the key of E minor or G - from ascending runs to signature turnaround phrasing. Follow along with the video lesson below, grab the free blues guitar tabs, and start incorporating these classic lead phrases into your own solos today!

Watch the Video Lesson

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1. The Ascending "Blues Climb" Lick

Building momentum in a solo requires licks that move purposefully. The Ascending "Blues Climb" uses target notes from the minor pentatonic scale to drive the energy upward, making it the perfect phrase to kick off a section or transition into a higher fretboard position.

How to Play It:

  • Focus on smooth fretboard transitions, rocking your first finger from the B string to the high E string as you ascend through the blues scale pattern.

  • Make sure each note rings out clearly. You can choose to play each note individually or let them ring out together.

  • Best Used For: Starting solos

2. The Descending Blues Scale Cascade

While ascending runs build tension, descending runs provide that rich, resolving blues color. This lick leverages the flat-5th (the "blue note") inside the standard blues guitar scale to create a cascading, vocal-like drop back down to the root note.

How to Play It:

  • Emphasize the flat-5th note slightly before resolving to give it that dirty, authentic blues bite.

  • Pro Tip: Keep your wrist loose - descending blues lead guitar patterns sound best when played with relaxed phrasing rather than stiff alternate picking.

3. The Pivoting Double-Stop Rip

Double-stops (playing two notes simultaneously) are a staple of classic blues guitar soloing. By pivoting off a stationary note while moving other notes above, this lick produces a thick, harmonized sound that cuts through any band mix.

How to Play It:

  • Bar your middle finger across the double stop notes on the second fret.

  • Strike the double-stops with strong pick attack or hybrid picking (pick + middle finger) for extra snap.

  • Tone Tip: Dial in a touch of overdrive or tube breakup to give these double-stops that singing, aggressive texture.

4. The B.B. King Box Slide & Micro-Bends

The "B.B. King Box" position (shifting up into Box 2 of the minor pentatonic) is arguably the most famous location on the neck for expressive lead phrasing. This lick starts with a slick slide up into the box, followed by subtle micro-bends (quarter-step bends) that add intense emotion to repeated notes.

How to Play It:

  • Slide firmly into the box using your ring finger.

  • Focus on pitch control: micro-bends don't need to reach a full half-step—just "tug" the string slightly to give it a vocal inflection.

  • Key Technique: Apply a wide, slow vibrato on the final held note to capture that signature B.B. King sustain.

5. The Descending Blues Turnaround Lick

Every great 12-bar blues solo needs a strong resolution. Played over bars 11 and 12 of the progression, this descending turnaround lick walks down the scale to lead seamlessly back to the V chord or back to the beginning of the chord progression.

How to Play It:

  • Follow the step-down movement smoothly without rushing the rhythm.


Blues Lick 5 - part 2

Where to Use It: Right at the end of a 12-bar chorus to sign off your solo or queue the rhythm section.


How to Practice These Blues Guitar Licks

  1. Isolate One Lick at a Time: Master one line at a time for 10–15 minutes before chaining them together into a full solo.

  2. Transpose Across Keys and Octaves: These blues guitar lead patterns are fully moveable. Try playing these up one octave by moving every note 12 frets higher. Once you learn them, slide these shapes up or down to play in A, E or C.

  3. Jam Over Backing Tracks: Fire up a slow 12-bar blues backing track and practice dropping these 5 licks into real musical contexts.

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